2 Meters - 2 Fetr
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ARTISTS
MEHTAP YILMAZ
Mehtap Yilmaz’ works aim to explore the relationship between space and time and its relationship with cultural memory. Her works use video, photography and 3D models which are related to a particular historical space that is often abandoned.
Yilmaz is Influenced by artists such as Zarina Bhimji and The Wilson sisters,and the writings of Gaston Bachelard.
“The poetic image [...] is not an echo of the past. On the contrary: through the brilliance of any image, the distant past resounds with echoes”.
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Nod gwaith Mehtap Yilmaz yw archwilio'r berthynas rhwng lle ac amser a pherthynas hynny â chof diwylliannol. Defnyddia fideo, ffotograffiaeth a modelau 3D sy'n ymwneud â man hanesyddol penodol y troir cefn arno'n aml.
Cafodd artistiaid fel Zarina Bhimji a'r chwiorydd Wilson, ynghyd ag ysgrifennu Gaston Bachelard, ddylanwad ar Yilmaz.
“The poetic image [...] is not an echo of the past. On the contrary: through the brilliance of any image, the distant past resounds with echoes”.
JORDANNA ASHTON
Jordanna Ashton's practise is centred in the conceptualisation of shared experience.The works often take the form of installation working primarily with digital projection, sculpture and text.The aim is to visualise the fragmented nature of experience and question perceived notions of space, time and memory.
“Interested in questions more than in answers… to visualise, to contextualise, the experience of the world,” – Barbara Kruger
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Yn ei gwaith, canolbwyntia Jordanna Ashton ar gysyniadu profiadau a rennir. Yn aml, crea osodweithiau, gan ddefnyddio taflunio digidol, cerflunwaith a thestun yn bennaf. Ei nod yw delweddu natur ddarniog profiad a chwestiynu syniadau cydnabyddedig ynghylch gofod, amser a chof.
“Interested in questions more than in answers… to visualise, to contextualise, the experience of the world,” – Barbara Kruger
OLWEN ELIAS EVANS
"One must live in the world as an enigma, and live in the world as if in a vast museum of strangeness" Giorgio De Chirico.
Olwen Elias'practice encompasses the subverting of traditional still life, with an interest in the transience of life, incorporating elements of contemplation, mythology and humour.
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"One must live in the world as an enigma, and live in the world as if in a vast museum of strangeness” Giorgio De Chirico. Yn ei gwaith, llurgunia Olwen Elias fywyd llonydd traddodiadol a’i gyfuno â’i diddordeb mewn byrhoedledd bywyd, gan gynnwys elfennau o fyfyrdod, mytholeg a hiwmor.
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ANDREW MUSE
Coming from a background of having worked with the adult survivors of childhood abuse Andrew’s work is concerned with the exploration of the damage inflicted. His emphasis on the use of a range of layered material and texture allows for the excavation down and into the origins of the emotional deformity and isolation that results, to reveal preoccupations and fragilities of more universal relevance.
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Mae gwaith Andrew, sydd wedi gweithio gydag oedolion a gafodd eu cam-drin pan oeddynt yn blant, yn archwilio'r niwed y mae camdriniaeth o'r fath yn ei achosi. Defnyddia haenau o amrywiol ddefnyddiau a gweadau i dyrchu i wraidd yr effaith emosiynol a'r unigedd sy'n dod yn ei sgil, er mwyn datgelu gofalon a breuder bywyd ar lefel fwy cyffredinol.
ANNA OWEN
Anna Owens’ practice involves using a variety of materials to create work with a minimal aesthetic. Owens’ work is inspired by her interests of energy and the body. Owen uses recycled materials where possible as she is concerned about ecological issues. Owen enjoys manipulating materials to create intriguing pieces which communicate her interests.
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Defnyddia Anna Owen amrywiaeth o ddefnyddiau i greu gwaith sy'n finimalaidd ei estheteg. Ei diddordeb mewn egni a'r corff sy'n ysbrydoli Anna. Lle bynnag y bo modd, ailgylcha ddefnyddiau gan ei bod yn ymboeni am faterion ecolegol. Mwynha drin defnyddiau er mwyn creu darnau diddorol sy'n cyfleu ei diddordebau.
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Toppy Xeon
Contemporary digital artist Toppy Xeon explores the links and limits of identity, existentialism and spirituality .“Without my legs or my hair, without my genes or my blood. With no name and with no type of story, where do I live? Tell me, where do I exist?” - SOPHIE.
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Edrycha'r artist digidol cyfoes, Toppy Xeon, ar y cysylltiad rhwng hunaniaeth, dirfodaeth ac ysbrydolrwydd, ynghyd â'u terfynau. “Without my legs or my hair, without my genes or my blood. With no name and with no type of story, where do I live? Tell me, where do I exist?” - SOPHIE.